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Barbara Martin Art
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Barbara Martin Art
Art
About
Bio
CV
Artist Statement
Shop
Living
Projects
Red Hot Series
SuperPly and Friends
Eastward to Wyoming
Ellarslie Open
News
Publications
Contact
0
0
Art
Folder: About
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Bio
CV
Artist Statement
Shop
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Red Hot Series
SuperPly and Friends
Eastward to Wyoming
Ellarslie Open
News
Publications
Contact
Shop Truth or Dare
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Truth or Dare

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Acrylic, oil pastel and pencil on cradled plywood

24 x 16 in

61 x 40.6 cm

So many questions balancing the here and now presence to answer, engage, be truthful, entertain vs. the presence with the work growing under my fingers channeling from the other to the moment of the now like a puppet without strings riding in a dark shadow ... tuna kitchen.

The ongoing Super Ply series consists of black and white paintings on bare plywood. I begin with a random hand doodled abstract monotype on the bare wood, then paint with 2 small brushes and my hands. I add details with oil pastels and pencil. I usually work in silence alone in my studio, but some of these have been created live at art events and reflect the mood I sensed in the room. As a process painter, I allow each painting to develop organically so the character and context are not planned at all. Any text fragments - and the title - become clear at the end when the piece resolves itself.

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Acrylic, oil pastel and pencil on cradled plywood

24 x 16 in

61 x 40.6 cm

So many questions balancing the here and now presence to answer, engage, be truthful, entertain vs. the presence with the work growing under my fingers channeling from the other to the moment of the now like a puppet without strings riding in a dark shadow ... tuna kitchen.

The ongoing Super Ply series consists of black and white paintings on bare plywood. I begin with a random hand doodled abstract monotype on the bare wood, then paint with 2 small brushes and my hands. I add details with oil pastels and pencil. I usually work in silence alone in my studio, but some of these have been created live at art events and reflect the mood I sensed in the room. As a process painter, I allow each painting to develop organically so the character and context are not planned at all. Any text fragments - and the title - become clear at the end when the piece resolves itself.

Acrylic, oil pastel and pencil on cradled plywood

24 x 16 in

61 x 40.6 cm

So many questions balancing the here and now presence to answer, engage, be truthful, entertain vs. the presence with the work growing under my fingers channeling from the other to the moment of the now like a puppet without strings riding in a dark shadow ... tuna kitchen.

The ongoing Super Ply series consists of black and white paintings on bare plywood. I begin with a random hand doodled abstract monotype on the bare wood, then paint with 2 small brushes and my hands. I add details with oil pastels and pencil. I usually work in silence alone in my studio, but some of these have been created live at art events and reflect the mood I sensed in the room. As a process painter, I allow each painting to develop organically so the character and context are not planned at all. Any text fragments - and the title - become clear at the end when the piece resolves itself.

Barbara Martin Art