Jack and Jill (Snap!)
Acrylic, oil pastel and pencil on cradled plywood
24 x 16 in
61 x 40.6 cm
Somewhere between the nursery rhyme of the title, the toddler's Jack in the Box toy, and the game of chess, this is playing for power
The ongoing Super Ply series consists of black and white paintings on bare plywood. I begin with a random hand doodled abstract monotype on the bare wood, then paint with 2 small brushes and my hands. I add details with oil pastels and pencil. I usually work in silence alone in my studio, but some of these have been created live at art events and reflect the mood I sensed in the room. As a process painter, I allow each painting to develop organically so the character and context are not planned at all. Any text fragments - and the title - become clear at the end when the piece resolves itself.
Acrylic, oil pastel and pencil on cradled plywood
24 x 16 in
61 x 40.6 cm
Somewhere between the nursery rhyme of the title, the toddler's Jack in the Box toy, and the game of chess, this is playing for power
The ongoing Super Ply series consists of black and white paintings on bare plywood. I begin with a random hand doodled abstract monotype on the bare wood, then paint with 2 small brushes and my hands. I add details with oil pastels and pencil. I usually work in silence alone in my studio, but some of these have been created live at art events and reflect the mood I sensed in the room. As a process painter, I allow each painting to develop organically so the character and context are not planned at all. Any text fragments - and the title - become clear at the end when the piece resolves itself.
Acrylic, oil pastel and pencil on cradled plywood
24 x 16 in
61 x 40.6 cm
Somewhere between the nursery rhyme of the title, the toddler's Jack in the Box toy, and the game of chess, this is playing for power
The ongoing Super Ply series consists of black and white paintings on bare plywood. I begin with a random hand doodled abstract monotype on the bare wood, then paint with 2 small brushes and my hands. I add details with oil pastels and pencil. I usually work in silence alone in my studio, but some of these have been created live at art events and reflect the mood I sensed in the room. As a process painter, I allow each painting to develop organically so the character and context are not planned at all. Any text fragments - and the title - become clear at the end when the piece resolves itself.